Studio Direct

This month in The Sauce Studio we’ve said goodbye to some canvases and hello to some new faces. Sauce has enjoyed using the studio to focus on more canvas work and to utilize the space for cataloging, re-arranging and finalizing unfinished works. As an artist, the creative practice of creating new works is always a challenge, but having the studio helps with the mundane and organizational details necessary for a consistent artistic output. If you want to commission Sauce, feel free to contact us here, or drop by the studio in Murwillumbah.



XIX LXIX

I am proud to announce that I am a finalist in the International Mural Fest Sheffield. This will be my fourth year as a competitor and I am looking forward to meeting with old friends and seeing some new faces. If you’re in Sheffield for Easter this year, come and visit! 


XIX LXIX by Sauce illuminates the possibilities of the space-time continuum, which as humans, we experience without consciousness. Earth is paradoxical by being both monumental and insignificant. Humanity is constantly seeking physical answers to metaphysical questions which creates barriers and restraints on our own freedom.



2013 Theme Wild and Free


 


Wild and Free 


Freedom Unrestrained, 


Searches the secret 


 Wilderness of the heart. 


-By Loretta Sommer



Emerging Technologies


 

Emerging Technologies is a an artwork which uses acrylic on printed canvas created by Sauce to express the artist’s inner most thoughts and insights towards technologies, modernity and art. The graffiti styled lettering created by paintbrush could be viewed as an artwork alone. The photography of the old farm utility could also be a stand alone art work, however combining the two art forms is the embodiment of the themes which are expressed in this piece. The sharp, crisp and colourful edges of the lettering, bursting out of the old and now defunct water tank depicts how newer technologies are overlapping and outsmarting the outdated and ostracized cumbersome equipment. The futuristic technology is slightly smeared with mould which is indicative of  the age of both the lettering and the water tank. It suggests, this piece may have been slowly emerging over time, waiting for the right moment to strike out against civilization.  

The terms used to title this artwork are words which are now ubiquitous due to Think Tanks and Focus Groups. These have now become a part of our lexicon to express the newness and modern focus of our insatiable appetite for the latest toy. What Emerging Technologies  explains and depicts to the viewer is how these terms can be elevated beyond rhetoric and  explored in real and tangible terms. Specifically, the use of a pre-mediated photo and the planned lettering formations is an example of how graffiti can not only lift off the page due to an artistic effect, but also by contextulizing it within the two dimensional photographic form. Emerging Technologies aims to raise more questions than it answers by creating an artwork which expresses images which may be alien but yet have a certain relevance by depicting images of the known and familiar.

Ravenous Machine

 

I am very excited to announce I was selected as one of nine finalist in the 2012, Sheffield International Mural Fest. This will be my third consecutive Mural Fest and I am hoping to defend my title after last years success. The picture below is the miniature I painted as an entry. For the competition, I will apply this design to the wall provided in Mural Park, Sheffield. The organiser stated this year, there were a record number of entries including many from overseas. I am looking forward to catching up with some old friends and meeting some new faces while working amongst such a high calibre of mural artists. 

This year the poem is titled Food Bowl by Lorraine McNeair: “The golden bloom of fertility lies on the land/And feeds us with flavour.”

The whirling, whizzing, wheezing wheels of modernity steam into the bucolic landscape, in search of food to feed the bloated masses. This pictorial narrative explores the collision of the rural landscape and the urban sprawl by depicting their current state of existence.

Acrylic on board 96cm X 42cm.

 

Its All a Blur

I recently contributed to a group mural “25 years of Mural Art in Kentish – A Success Story” . Involving more than Twenty artists, the indoor 3D mural is on display in Sheffield, Tasmania and has been created to commemorate Twenty-five years of murals in the town. Each artist was asked to create a miniature based on what the murals represent to them. My piece is based on my experience winning last years Mural Fest. Titled “It’s All a Blur” I aimed to depict a scene of Mural Park in Sheffield skewing the focus to indicate an almost kaliodscopic view. Drawing on memories of the event it really was a blur of great people, delicious food, amazing artwork, comradery and a totally unexpected success. I hope to update with the whole mural soon.

 

 

The Return

 

 

The Return Sauce 2011

 

The main element binding the Tweed community together is the unique flora and fauna which is found in the Valley of Contrasts. The surrounding landscape with the lush rain forests, the undulating hills and mountains, the pristine coastline and the rare wildlife are the essential components to creating this magnificent place, which both locals and tourists appreciate. I feel privileged to call this magical caldera home, a place of friendship, fond memories and a sustainable future. 

 

Acrylic on canvass 60cm x 30cm

 

 

 

Final Glow

 

The correlation between graffiti art and the natural environment may be difficult to grasp immediately as graffiti art is typically linked with the inner-urban city environment, however this creation could be seen as a parallel universe where the ultimate mystery bursts from the earth in one final glow. This landscape concept is easily recognised however the abstract element asks us to look further, to question reality and see what may or may not coexist.  

Acrylic on canvas 76cm X 30.5cm 

Dam Vandals

Graffiti is ubiquitous, appearing as seemingly meaningless scrawl displaying nothing except self interest to the untrained eye. This reflects in destruction of the natural landscape as concrete monstrosities annihilate everything in sight in the interests of man’s progress. Governments maintain their anti-graffiti stance by wasting millions of dollars on graffiti removal and the media propaganda machine continues to publish a one sided bias. The civilians are not convinced. Splashes of paint encroach on the drab city architecture, reminding us there is something else, walking amongst the people leaving messages for the interested mind. Unlike advertising, graffiti is art for arts sake not capiltalism. Please note no animals were harmed in the production of this graffiti.

Acrylic on canvas 60 X 30cm.