Life and Death

We’ve had some varied feedback about our A-frame today, and I would like to thank those who spoke to me about their feelings regarding the sign’s content. 

 


This link explores the same themes provides insight into the issue of popularity and death. 

At the studio, we’re not about sledging Margaret Olley or her legacy, but what we are advocating for is support for living artists, so their careers can flourish. And as an organisation which is living in the shadows of other well funded facilities it is a challenge to run a successful arts business. 

We’ve exhausted every other polite way to demonstrate these experiences to the ‘powers that be’, and this is one way of creating critical debate about this topic.

 

p.s. Sorry about the relfective selfie!

Goodbye 2013!

Wowzers! 2013 has been one rollercoaster of a year. Sauce painted more murals than we care to count and the studio has been out biggest adventure yet! 

The year started with a bang, as Sauce spent five days at Brisbane Pop Culture with Turtle and Em Undead. With all the rain and storms for the summer of 2012-13 Sauce was definitely battling the elements. But it was finished in time and luckily Em and Turtle escaped any flooding. We however, were not so fortunate. Country living has it’s downside, and while we were planning and scheming to open The Sauce Studio in Murwillumbah, we were flooded in at home for four and a half days, without power. But, we survived, and managed to open the studio, so Lady Luck must have been looking after us.

Buddah watching over us in the studio.

The Studio opening in March was definitively the scariest and most exciting thing we have ever done. In the lead up to opening night, it was utter chaos. We were busily organising shirts, logos, merchandise, advertising and all the paperwork that comes with running and expanding a business. We also had to re-fit the shop ourselves which saw Sauce and myself covered in paint and sweat from head to toe. A massive thanks goes out to all the people who visited for opening night (and throughout the year!). It’s heartening to know people are interested in the artwork and want to support an independent artist.

Ainslie Rose hard at work!

Once we opened the studio, Sauce was off to Tassie, and then Julia Creek, which was the first of three trips to Central Queensland this year. The Anglicare CQ team are without a doubt the most professional and dedicated team we have worked with. Every time Sauce visits Emerald, he’s treated like a superstar and the Anglicare CQ team have every detail organised. The kids are appreciative and enthusiastic. Sauce has even made friends up there who take him motorbike riding. Rough life hey?

The studio is keeping us both busy, with Sauce using the space as a workshop and I’m busy with all of the admin and paperwork. In September of this year, we held out first curated showcase, which was another adventure. I had the exciting role of Senior Curator, which meant I was developing and analysing the theme, while also advertising and vacuuming. For the week before Stains of Modernity opened, we had a young lad on work-experience who was dedicated and energetic. We almost couldn’t keep up with him!  Again, a massive thanks to all who came to the opening night and gave us a hand behind the scenes. It’s always scary throwing that type of party. We can never tell if it is going to be epic or, and epic failure, so thanks for making it a success.

Digital Interference. One of the pieces from Stains of Modernity.

It hasn’t been all beer and skittles, with Sauce facing some challenging bureaucracy and professional hurdles. We blogged about the many different experiences, and on a personal level it is disappointing to see the legal walls shut down, commissioned walls painted over and the zero tolerance approach taken by numerous organisations. I am conscious when we’re putting together blog posts as it is easy to moan about these issues, but we believe in standing up for what we believe in. Which is why we also write countless emails to officials and bureaucrats and make this information public. Just like Max Cavalera reminds us, “I’d rather die on my feet than keep living on my knees.” Too true Mr Cavalera.

 

One more exciting piece of information before we go. We are finally running stencil and aerosol workshops from the studio. Book it in your diary!

January 12th & 26th and February 9th.
$40 per head which includes a small canvas and paint supplied. 
Strictly 13 years or older.
Bookings essential
Wear appropriate clothing. All care taken, no responsibility for leaving paint on your new Nikes.

 

What ever you are doing this festive season, stay safe, look after your mates and enjoy yourself.

Peace,
Sauce and Ainslie Rose.

Sauce takes some time out with his new favourite book.


 


Studio Direct

This month in The Sauce Studio we’ve said goodbye to some canvases and hello to some new faces. Sauce has enjoyed using the studio to focus on more canvas work and to utilize the space for cataloging, re-arranging and finalizing unfinished works. As an artist, the creative practice of creating new works is always a challenge, but having the studio helps with the mundane and organizational details necessary for a consistent artistic output. If you want to commission Sauce, feel free to contact us here, or drop by the studio in Murwillumbah.



XIX LXIX

I am proud to announce that I am a finalist in the International Mural Fest Sheffield. This will be my fourth year as a competitor and I am looking forward to meeting with old friends and seeing some new faces. If you’re in Sheffield for Easter this year, come and visit! 


XIX LXIX by Sauce illuminates the possibilities of the space-time continuum, which as humans, we experience without consciousness. Earth is paradoxical by being both monumental and insignificant. Humanity is constantly seeking physical answers to metaphysical questions which creates barriers and restraints on our own freedom.



2013 Theme Wild and Free


 


Wild and Free 


Freedom Unrestrained, 


Searches the secret 


 Wilderness of the heart. 


-By Loretta Sommer



Emerging Technologies


 

Emerging Technologies is a an artwork which uses acrylic on printed canvas created by Sauce to express the artist’s inner most thoughts and insights towards technologies, modernity and art. The graffiti styled lettering created by paintbrush could be viewed as an artwork alone. The photography of the old farm utility could also be a stand alone art work, however combining the two art forms is the embodiment of the themes which are expressed in this piece. The sharp, crisp and colourful edges of the lettering, bursting out of the old and now defunct water tank depicts how newer technologies are overlapping and outsmarting the outdated and ostracized cumbersome equipment. The futuristic technology is slightly smeared with mould which is indicative of  the age of both the lettering and the water tank. It suggests, this piece may have been slowly emerging over time, waiting for the right moment to strike out against civilization.  

The terms used to title this artwork are words which are now ubiquitous due to Think Tanks and Focus Groups. These have now become a part of our lexicon to express the newness and modern focus of our insatiable appetite for the latest toy. What Emerging Technologies  explains and depicts to the viewer is how these terms can be elevated beyond rhetoric and  explored in real and tangible terms. Specifically, the use of a pre-mediated photo and the planned lettering formations is an example of how graffiti can not only lift off the page due to an artistic effect, but also by contextulizing it within the two dimensional photographic form. Emerging Technologies aims to raise more questions than it answers by creating an artwork which expresses images which may be alien but yet have a certain relevance by depicting images of the known and familiar.

Ravenous Machine

 

I am very excited to announce I was selected as one of nine finalist in the 2012, Sheffield International Mural Fest. This will be my third consecutive Mural Fest and I am hoping to defend my title after last years success. The picture below is the miniature I painted as an entry. For the competition, I will apply this design to the wall provided in Mural Park, Sheffield. The organiser stated this year, there were a record number of entries including many from overseas. I am looking forward to catching up with some old friends and meeting some new faces while working amongst such a high calibre of mural artists. 

This year the poem is titled Food Bowl by Lorraine McNeair: “The golden bloom of fertility lies on the land/And feeds us with flavour.”

The whirling, whizzing, wheezing wheels of modernity steam into the bucolic landscape, in search of food to feed the bloated masses. This pictorial narrative explores the collision of the rural landscape and the urban sprawl by depicting their current state of existence.

Acrylic on board 96cm X 42cm.

 

Its All a Blur

I recently contributed to a group mural “25 years of Mural Art in Kentish – A Success Story” . Involving more than Twenty artists, the indoor 3D mural is on display in Sheffield, Tasmania and has been created to commemorate Twenty-five years of murals in the town. Each artist was asked to create a miniature based on what the murals represent to them. My piece is based on my experience winning last years Mural Fest. Titled “It’s All a Blur” I aimed to depict a scene of Mural Park in Sheffield skewing the focus to indicate an almost kaliodscopic view. Drawing on memories of the event it really was a blur of great people, delicious food, amazing artwork, comradery and a totally unexpected success. I hope to update with the whole mural soon.

 

 

The Return

 

 

The Return Sauce 2011

 

The main element binding the Tweed community together is the unique flora and fauna which is found in the Valley of Contrasts. The surrounding landscape with the lush rain forests, the undulating hills and mountains, the pristine coastline and the rare wildlife are the essential components to creating this magnificent place, which both locals and tourists appreciate. I feel privileged to call this magical caldera home, a place of friendship, fond memories and a sustainable future. 

 

Acrylic on canvass 60cm x 30cm

 

 

 

Final Glow

 

The correlation between graffiti art and the natural environment may be difficult to grasp immediately as graffiti art is typically linked with the inner-urban city environment, however this creation could be seen as a parallel universe where the ultimate mystery bursts from the earth in one final glow. This landscape concept is easily recognised however the abstract element asks us to look further, to question reality and see what may or may not coexist.  

Acrylic on canvas 76cm X 30.5cm