Media Release 25/2/12

A mural located at Harris Street Wellington point costing more than $6000 has become the scene of debate and controversy as the current graffiti prevention methods have repeatedly failed. When this failure was brought to the attention of the City Infrastructure member Ann Marshall, Community Development Team members including Byron Shreeve and the Councilor for the area, Wendy Boglary the response was muted and ignorant of the problem. Further investigations into the matter show an incorrect approach towards the target audience and the subject matter of the mural are primarily to blame.

A letter dated, 9th February, written by the Community Safety Officer Byron Shreeve and signed by the Group Manager of Community and Cultural Services Greg Jensen indicates the Community Development Team no longer wishes to consult community members for expertise on graffiti prevention matters.

Christian Griffiths is a mural and aerosol artist, who has eighteen years experience, and until last year ran his business in Redland City creating murals as a method of graffiti prevention. In 2005, Christian was commissioned to create a mural at the Harris Street underpass which involved young people at risk of entering the Juvenile Justice system. Christian has worked with numerous other local councils, schools and youth organisations, including IN-SYNC and Boystown. On a variety of occasions Christian has offered his services for free or at a low cost as an artist or as a consultant to council to provide effective solutions about graffiti prevention in the Redland area and in recent years he has been repeatedly ignored or denied. This is problematic as council spends $135,000+ each year on graffiti removal and council minutes indicate council has as zero tolerance approach towards graffiti, but a Community Development approach to prevention.

Christian says “Its not about me or my art work. It’s about the people engaging with aerosol art and a lack of opportunity to do so in appropriate circumstances. This mural has completely missed the mark with any of the objectives. It hasn’t prevented graffiti, a wide target audience hasn’t been sought and the Expressions of Interest developed for the initiative wasn’t relevant or applicable for the situation. At every step of the process I informed Council of the associated risks with this project and now the rate-payers such as myself, will pay the ongoing price.”

 

See: Bayside Bulletin article “Cool tunnel Art” 21/7/05 page 26.

See council minutes for information detailing the costs associated with graffiti and other policy decisions regarding graffiti. 

 

Please feel free to contact either Ainslie or Christian for further comments or information regarding this topic. Original communications and further supporting documents can be provided on request.

 

Ainslie Meiklejohn-Griffiths

Publications Manager

www.aerograffix.com

ainslie.mg@gmail.com

Burringbar Botanic Gardens Nursery

Recently I have been busy with some local work and I had the pleasure of painting a trailer for Burringbar Botanic Gardens Nursery. As a public art practicioner I really enjoy the notion of taking art to the people and  this moving canvas is the epitome of this. The trailer can be seen at markets and events all over the East Coast of Australia stocked with an array of native flora. 


 

52 On Vulture

Recently I have been creating a mural on Vulture Street, West End. The folks at Cowlishaw & Son have entrusted me to funk up the fashion warehouse walls of the third generation business. Their hospitality, an open approach to design, along with so many fabulous comments from pedestrians have all contributed to a very enjoyable experience. 


 


Ravenous Machine

 

I am very excited to announce I was selected as one of nine finalist in the 2012, Sheffield International Mural Fest. This will be my third consecutive Mural Fest and I am hoping to defend my title after last years success. The picture below is the miniature I painted as an entry. For the competition, I will apply this design to the wall provided in Mural Park, Sheffield. The organiser stated this year, there were a record number of entries including many from overseas. I am looking forward to catching up with some old friends and meeting some new faces while working amongst such a high calibre of mural artists. 

This year the poem is titled Food Bowl by Lorraine McNeair: “The golden bloom of fertility lies on the land/And feeds us with flavour.”

The whirling, whizzing, wheezing wheels of modernity steam into the bucolic landscape, in search of food to feed the bloated masses. This pictorial narrative explores the collision of the rural landscape and the urban sprawl by depicting their current state of existence.

Acrylic on board 96cm X 42cm.

 

Its All a Blur

I recently contributed to a group mural “25 years of Mural Art in Kentish – A Success Story” . Involving more than Twenty artists, the indoor 3D mural is on display in Sheffield, Tasmania and has been created to commemorate Twenty-five years of murals in the town. Each artist was asked to create a miniature based on what the murals represent to them. My piece is based on my experience winning last years Mural Fest. Titled “It’s All a Blur” I aimed to depict a scene of Mural Park in Sheffield skewing the focus to indicate an almost kaliodscopic view. Drawing on memories of the event it really was a blur of great people, delicious food, amazing artwork, comradery and a totally unexpected success. I hope to update with the whole mural soon.

 

 

Sketches

It’s been too busy to keep track of my sketchbook lately as I have been preoccupied with back to back murals. The black book is where it all begins, putting pencil to paper and lately I have been chewing through pencils and paper.  Sometimes murals are meticulously planned and other times a rough sketch is an adequate starting point for ideas to elvolve from. I have just uploaded a stack of new sketches comprising some of the design concepts from recent murals. Here’s a taste…