Cemmomorating 100 years of Anzac at Redlands RSL branch 2015.
We were recently contacted by Loganlea State High to add some colour to their dance studio. It was a small and simple mural to create as like the other recent studio mural Sauce created, it was painted off-site on MDF ply and then attached to the wall. This process allowed Sauce to create the mural while juggling other work commitments, and since this mural was for the interior of the dance studio, there were no interruptions with lessons. It also made perfect sense to create an aerosol art backdrop for the dance studio since graffiti and breakdancing are all a part of the hip hop culture.
If your studio needs a backdrop, give us a call. It’s easier than you think.
For a professional artist, finding the time to go for a paint can be a real challenge. Especially when there are many clients waiting for their works to be completed, but Sauce managed to squeeze a sneaky join up with Kosie1 last week. Sauce and Kosie1 have a ritual of painting on or around their collective birthdays in January, and they always plan to get together during the year and paint more, but with both lads juggling numerous jobs, it’s tricky to get them both to have time off!
For this wall, Kosie1 had some overseas guests who were studying photography, so they sharpened their camera skills while Sauce and Kosie1 painted.
Sauce is currently working on the chrome effect with his pieces, and Kosie1 is sharpening his can control and colour combos.
The hand painted signs were a deviation from his usual work, however the school wanted something which had longevity and was visually striking. The mural in the ball court wasn’t Sauce’s first work at the school, as earlier in the year he created a cultural mural which the pupils at the school loved.
Positive Energy Activates Constant Elevation - Gravediggaz
How was your Monday? At The Sauce Studio, it was a regular, no nonsense Monday. The kind where a little bit of work gets done, some procrastination happens and then it’s lunchtime and the day is nearly done. Monday, was just the regular run of the mill Monday until Sauce made a follow up call to the Manger at Visible Ink.
For the past six months, at The Sauce Studio we’ve been following the Walls and Colours project. You might have seen the post where we expressed frustration about the project delivery, and, you’re probably wondering why we’re bothering to continue to whinge and whine about a project. Our complaints, might even sound like sour grapes, but…
At The Sauce Studio, we stand up for what we believe in, and we believe aerosol art is a legitimate art form which deserves more recognition than it currently receives. Aerosol and graffiti art is a part of the bigger sub-culture of Hip Hop and has been exploited by marking gurus for too long. We value transparent processes and practices when delivering projects to the public. Paperwork, the necessary evil, provides accountability and ensures agencies and organizations have a tangible justification for service provision.
Which takes me back to the original complaint. This Walls and Colours project, well it’s a pile of shit. The $150,000 project which is funded from the Proceeds of Crime has zero accountability. At no point has The Sauce Studio received or found an Expressions of interest. Even when we specifically requested one. But really, the bigger problem and the most disappointing fact is that young people, aerosol artists and the greater community is missing out when it comes to great public art and activities for aerosol artist enthusiasts. The proof is in the pudding. You can see the artwork and judge it yourself for quality and talent.
As a business, The Sauce Studio doesn’t require to maintain or hold a monopoly on aerosol art projects or murals, but here’s the thing; out of ten walls, and $150,000 worth of funding, we find it difficult to swallow that The Sauce Studio and Sauce would be so systematically excluded from this project. Here in the studio, we can’t join the dots to find out why this is the case. Sauce has worked with countless other councils and community agencies, all over the East Coast of Australia and we find it hard to believe that his years of experience and artistic talent could not be utilised in come fashion for this ten wall project.
So, our Monday, was a bit overrated. And that phone call with the Manger from Visible Ink, well, it was an hour of talking in circles. In fact, it would have made more sense to play chess with a pigeon.
Why are we ‘airing our dirty linen’ on the blog post? Because traditional media outlets don’t care. We want something positive to come out this mayhem. It it truly disappointing to think this type of mismanagement, incompetence and nepotism is allowed to continue while the community misses out on something which could be the benchmark for public art and community engagement. These types of tokenistic projects do little more than alienate the target audience and they certainly don’t effect cultural change.